LargerÂ logo used from 1980 – 1981 (And serial on the front panel). AD Clean. The onlyÂ one that worth mentioning is the switch to PCB style assembly on late-1973. So, I got kinda curious about all those ‘sneaky amps’ that is “hidden” within the Boss Katana guitar amplifier. All of you AC/DC gearheads (myself included! These pages are dedicated to the greatest amplifiers ever made. This one was not a pleasantÂ change and the result was a much more grainy and thin-sounding toneÂ as they were turned up. Try to look for the ones with theÂ same circuits as the heads mentioned above. Included … After receiving many complains,Â they decided to put a Master Volume on their amps. So… How does it sound like? This is one of the reasons why the Major was discontinued in 1974. (SoloDallas’ note: it is with pleasure that I introduce to you our already very well known friend AndrÃ¨, aka Â Jaiminho Pagina: he’s now a contributor of SoloDallas.net! 1959/ 1987/ 1992/ 1986Â (non-MV): 4 inputs, 2 Volumes, Model of the amp written in block letters at the back. The “simple circuit” JCM800s are, in my view, still quite interesting amps. So… Marshall had to come up with something to solve this problem…. In 1965, the plexiglass faceplatesÂ were introduced. were required to have 4 holes to attain the proper UL rating.”. P = 1982 The back of a Marshall Major. So… what they used? Before starting, I must warn you that acquiring vintage gear can be really risky. They are easy to tell apart because the two extra knobs (“speed” and “intensity”)Â on the front panel. If it has a top vent, then it’s a 100w.Â If it doesn’t, it’s aÂ 50w. But it also had the characteristic smoothness of the tube rectifier. So, always keep your eyes open for âfishyâ deals, look for information, and always ask for high definition photos (especially from the interior of the amps – the circuit, the tubes and transformers) to make sure everything is right. ItÂ is just as good as the other (probably even more versatile), butÂ the “weird looks” probably scareÂ people a bit and they think this is not aÂ good amp. This is a sweet modeling amp that puts classic line six effects neatly … Marshall Amplification Amplifier User Manuals Download ManualsLib has more than 374 Marshall Amplification Amplifier manuals Click on an alphabet below to see the full list of models starting with … They used the 2203/ 2204 Master Model heads extensively through the years. The first Marshall ever made. This means there were other models. Marshall then “hot-rodded”Â the JTM-45Â using four KT66 and two 50wÂ output transformers to handle the extra wattage. I will also try to give examples of where they were used.. One of the most confusing things concerning these vintage ampsÂ are theÂ model numbers. Marshall JCM800 Super LeadÂ #1959 (non-MV). Well… The heads at Marshall worked with the volume on 11 to find a solution. There weren’t much changes afterwards. The Vintage Amp Room Bundle is based on vintage Marshall, Fender, and Vox amps. Fender 5E3 Deluxe. By mid-1977, they were over and only new parts were used. The PA and Super PA heads were discontinued around 1975. When I listen to the Free Live! The change to EL-34 tubes resulted in the increase of power. These amps were not only stupidly loud, but also really really clean. Just got myself a JMP 2104 from early 80’s. Marshall also made a series of 18-watt combo amps around the same time in 1965. That happened until around 1976. 1987X JUMP (based on 50W Marshall 1987X reissue). They are as reliable as the PTP Marshalls. Yes, it was possible to have pre-amp drive at low volumes, but since it was the power ampÂ saturation that made Marshalls so great, guitar players complained that they couldn’t get enough “distortion” at lower volumes. The first amps had 5881 power tubes. YouÂ had a great overdriven tones at any volume (Of course, the louder it was, the better it would sound). But wait a minute… The old non-MVÂ were still being made with the new cosmetics? Its got a Greenback and a Vintage 30 in the chest. You can read more about this here. [Warning: lame joke coming up!] Here is some info about them: Prior to 1969, the amps don’t haveÂ serial numbers. Â So, this means the U.S. export versions had 6550 tubes AND the two extra output jacks. Canadian version of a late 70’s non-MV JMP, [Thanks to KyleSG for the information ð ], While the sales of the non-MV volume amps continued steady and well, Marshall faced a serious problem with their new product: Most people didn’t like their Master Model amps (this refers only to the 2204) because there was no enough gain at lower volumes. V = 1987 RI Reissue Series ST/ or ST/A Tremolo â 100 Watt Orange AD 30. I’mÂ not sureÂ ofÂ the year his amps were made, but something tells me that they are from around this period (1968 orÂ 1969) or maybeÂ from the earlyÂ Metal-Face years.Â Anyway… It’s said that his amps were modded to accept KT88 power tubes, boostingÂ their power to 200wÂ (and actually, he really told so on an interview in 1977), but the question is:Â When wasÂ it done? With a standard eqÂ (presence, bass, middle, treble),Â a total of 8 inputs (4 for each “section”) and 4 volumes, this thing is a real Frankstein monster. Compared to my DSL40c the 2104 sounds extremly “thinn” without any bottom end at all. Marshall Super Tremolo. Then, this amp was used on theÂ rehearsal sessions of Guns ‘n’ Roses’ Appettite for Destruction album.Â Because of rumors that Slash was going to steal the amp (and legend saysÂ he did it! Only the 2204 (50w) suffered from the lack of gain at low volumes. Marshall Silver Jubilee * * Super Jimi Clean: Marshall Super 100JH * * Dual Rev: Fender The Twin CH2 * 1968 Crunch: Marshall JMP Plexi 1968 * Overdriven Vibro: Fender Vibroverb w/ TS808 … M = 1980 By late 1966 – early 1967, Marshall stopped using the GZ34 tube rectifier in all the modelsÂ and started usingÂ a solid state rectifier instead. In mid-1969, the plexiglassÂ faceplates were replaced by brushed aluminium faceplates, hence the nickname “Metal-faces”. Turn to this Amp Model to conjure up tones of the coveted JCM 800, one of Marshall's most universally acclaimed modern amps. They wereÂ a bit smoother and had a tad less gain than their Lead counter-parts. This is a photo of a JTM-45/100, but it’s the sameÂ headbox used for theÂ early Super Leads, I think you are all familiar with this amp. A note here is that the name “JCM800″ itself is, many times, related justÂ to the 2203/ 2204 models, but the JCM800 was a series. ð. Yes: On Van Halen’s debut album, a 100% stockÂ 1968Â Marshall Super Lead #1959Â was used.Â With a thing calledÂ variac, he was able to kind of “attenuate” the amp and obtain more gain. Specifically intended to be used in mixes in the box. Ah… Did I mention that Free used a lot of Marshall Super PAs on stage? Free’s debut album Tons of Sobs was probably recorded with a JTM-45 too. Line 6 Spider Jam Classic 15. In 1980 , Marshall started using a bigger logo. Powerage, Highway to Hell, Back in Black… up to the Blow Up Your Video… all recorded with amps from this era. “horizontal input” JCM800 Master Volume. The JTM-100, now with four EL-34s too,Â alsoÂ gained a proper 100w transformer. The JCM800 series (Models 2203, 2204, 2205 and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Ritchie Blackmore was a famous user of the Major,Â but they were heavily modded at theÂ Marshall factory (as said in an interview) and later by a man called John Dawk. If you get sound from both, you have a non-cascaded circuit. I’m not sure what recordings this amp was responsible for. At this point, Marshall’s exclusiveÂ distribution contractÂ withÂ Rose Morris was expiring. Combo versions, are, again, really interesting. Welcome to Marshall CODE Tools. S = 1984 They were. The only thing is: there were many parts left on stock and they had to use them! For this reason, this amp is known today as the JTM-50. #1959 JMP Super Lead 100 Watt (1967-1981) #1959T JMP Super Lead Tremolo 100 Watt (1967-1973) #1964 JMP Lead & Bass 50 (1973) #1986 JMP Bass 50 Watt (1969-1973) #1987 JMP Lead 50 Watt … T = 1985 making these slightly more “modern” sounding amps. N = 1981 So, I’ll try to explain it the best I can. The closest thing to what most regard as "The Plexi" (Marshall Super Lead 1959) Would be either the British Lead S100 that models and early (pre 1966) 1959 JTM100 Super Lead (Which uses KT66 Power Tubes instead of EL34s), or the JH Gold that models … Malcolm Young said his favourite amp is an old Super Bass amp, probablyÂ from this period tooÂ (it could be an early Metal-Face as well). U = 1986 Â the JTM-45Â using four KT66 and two 50wÂ output transformers to handle the extra wattage Water ”. Pa and Super PA heads were discontinued around 1975 Marshall Lead 50w 1987. Important note is that, Â alsoÂ gained a proper 100w transformer the. 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